This again seemed not what he wanted. "Must you do it bang off?" "Is that what you came to ask me?" Fleda demanded.!

"She'll have it to herself." "What she said to me just before she went: she meant to plead with me."

"Give everything back?" Fleda looked into the pot again and uttered her question with a briskness that she felt to be a little overdone. "Why, by putting the question well before you; by being so eloquent that I shall persuade you, shall act upon you; by making you sorry for having gone so far," she said boldly; "by simply and earnestly asking it of you, in short; and by reminding you at the same time that it's the first thing I ever have so asked. Oh, you've done things for me—endless and beautiful things," she exclaimed; "but you've done them all from your own generous impulse. I've never so much as hinted to you to lend me a postage-stamp." In her bewildered horror she tried to think. "Have they come back?" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.