She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful. "You plunge me in stupefaction," that lady answered, "and at the same time you terrify me. Your account of Owen is inconceivable, and yet I don't know what to hold on by. He cares for you, it does appear, and yet in the same breath you inform me that nothing is more possible than that he's spending these days at Waterbath. Excuse me if I'm so dull as not to see my way in such darkness. If he's at Waterbath he doesn't care for you. If he cares for you he's not at Waterbath."!

"Then won't yours do?" Mrs. Gereth demanded. "Haven't I had it from your own mouth that he cares for you?" Fleda came to the sofa in obedience to the impulse to sit down by her; then paused before her while Mrs. Gereth turned up a dead gray mask. A tired old woman sat there with empty hands in her lap. "I've heard nothing," said Fleda. "No answer came."

"I'm glad, then, it didn't arrive. Shouldn't you like him to go?" Fleda asked. She was in a fever of ingenuity and painfully conscious, on behalf of her success, that her fever was visible. She could herself see the reflection of it glitter in Mrs. Gereth's sombre eyes. "Well, you wouldn't at all events have ceased to like me, would you?" Owen demanded. It evidently mattered to him to know if she really justified Mona. "I mean of course if you had liked me—liked me as she liked me," he explained.