She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful. He too hesitated, but he was not checked. "It's just for the reason that I'm free. Don't you know what I mean, Miss Vetch? I want you to marry me."!

Fleda was so far from a wish to triumph that she was absolutely ashamed of having anything to say for herself; but there was one thing, all the same, that not to say was impossible. "That he has done it, that he couldn't not do it, shows how right I was." It settled forever her attitude, and she spoke as if for her own mind; then after a little she added very gently, for Mrs. Gereth's: "That's to say, it shows that he was bound to her by an obligation that, however much he may have wanted to, he couldn't in any sort of honor break." "If he went," Fleda asked, "doesn't that exactly prove that he recognized one?"

"Puts you in the situation of expecting that I shall do this thing just simply to oblige you?" Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!" Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied.