He rearranged his wife’s feather and smoothed her tumbled hair. She looked up at him and smiled. “I might,” he answered, “if I had known the value of it. I found a cable waiting for me in New York. My father had been dead a month; and I had to return immediately.”!

“Well, you can’t expect ’em to like it, can you?” submitted Miss Ensor. “We old fellows feel a little sadly, at times, how unimportant we are,” he explained. “We are grateful when Youth throws us a smile.”

“The difficulty I have always been up against,” explained her father, “has been their suspicion. ‘What’s the cunning old rascal up to now? What’s his little game?’ That is always what I have felt they were thinking to themselves whenever I have wanted to do anything for them. It isn’t anything he says to them. It seems to be just he, himself.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.