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"But why?" says Mona, trying to read his face. "Am I so different from other people?" He is not sure of anything of the kind, but he says it nevertheless, feeling he owes so much to Violet, as the conversation has drifted towards her, and he feels she is placed—though unknown to herself—in a false position. So they start, in a lazy, happy-go-lucky fashion, for their walk, conversing as they go, of themselves principally as all true lovers will..
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"No, they are not. Geoffrey, people look much better when they are beautifully dressed, don't they?" "I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is." "Do you know," says Mona, with a slight shiver, and a little nervous laugh, pressing closer to her side, "I have lost half my courage of late? I seem to be always anticipating evil." Nobody has noticed that anything is wrong. Only Doatie turns very pale, and glances nervously at Geoffrey, who answers her frightened look with a perplexed one of his own..
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