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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

Johnny Blossom handed her the two half-dollars, speaking fast and feeling in a great hurry to get away. Christina looked at him in amazement.,

Ferdinand listened to this narrative in silent wonder! wonder not occasioned by the adventure described, but by the hardihood and rashness of the marquis, who had thus exposed to the inspection of his people, that dreadful spot which he knew from experience to be the haunt of an injured spirit; a spot which he had hitherto scrupulously concealed from human eye, and human curiosity; and which, for so many years, he had not dared even himself to enter. Peter went on, but was presently interrupted by a hollow moan, which seemed to come from beneath the ground. 'Blessed virgin!' exclaimed he: Ferdinand listened in awful expectation. A groan longer and more dreadful was repeated, when Peter started from his seat, and snatching up the lamp, rushed out of the dungeon. Ferdinand, who was left in total darkness, followed to the door, which the affrighted Peter had not stopped to fasten, but which had closed, and seemed held by a lock that could be opened only on the outside. The sensations of Ferdinand, thus compelled to remain in the dungeon, are not to be imagined. The horrors of the night, whatever they were to be, he was to endure alone. By degrees, however, he seemed to acquire the valour of despair. The sounds were repeated, at intervals, for near an hour, when silence returned, and remained undisturbed during the rest of the night. Ferdinand was alarmed by no appearance, and at length, overcome with anxiety and watching, he sunk to repose.,

Julia, on recovering her senses, found herself in a small room, of which she had no remembrance, with her maid weeping over her. Recollection, when it returned, brought to her mind an energy of grief, which exceeded even all former conceptions of sufferings. Yet her misery was heightened by the intelligence which she now received. She learned that Hippolitus had been borne away lifeless by his people, that Ferdinand was confined in a dungeon by order of the marquis, and that herself was a prisoner in a remote room, from which, on the day after the morrow, she was to be removed to the chapel of the castle, and there sacrificed to the ambition of her father, and the absurd love of the Duke de Luovo.

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“You bet! But it will be pretty rough going. We’ll have to nurse it pretty carefully. A submarine rock could torpedo it in a minute. But come on, let’s try it.”,

“Oh, there are some things that are so hard, Mother.”,

“They ran home, crying, and told that you were out on the ‘red pear’; but when the postmaster had got a boat and rowed out you were gone.”