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Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh., CHAPTER XIII. ISABELLA., "I hunted and hunted for Elinor's, which I knew very well, for it was made on the back of one of my old tablets, but I couldn't find it. Geraldine couldn't find the one Doris used either, and then I got awfully interested. I told Geraldine that I was making up a story and I wanted to act it all out in life, and she was glad to help. She was mad at Doris anyway, and so she hunted everywhere for her sketch, but she couldn't find it. I was pretty near giving up then, for I thought I was mistaken; but the men were just making ready to take out Leighton's ashes when I thought, like a flash, 'There's where it would be, if anywhere,' and I told Geraldine. So we got sticks and we rummaged. My gracious, but it was dusty!".