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"My darling, why?" "Yes,—better than all the women I ever met," corrects Mona, but without placing the faintest emphasis upon the word "women," which omission somehow possesses its charm in Rodney's eyes. He says this quickly, yet fearfully. If she should take his proposal badly, what shall he do? He stares with flattering persistency upon a distant donkey that adorns a neighboring field, and calmly awaits fate. It is for once kind to him. Mona, it is quite evident, fails to see any impropriety in his speech..

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Or cattle faintly lowing: "Ah! so I was," says Lady Lilias, with a sigh of relief: she is quite too intense to feel any of the petty vexations of ordinary mortals, and takes Mona's help in excellent part. "Yes, I really think there is loveliness in a pig when surrounded by its offspring. I have seen them once or twice, and I think the little pigs—the—the——" At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. Interpreters commonly translate this word Na´pi as Old Man, but it is also the term for white man; and the Cheyenne and Arapahoe tribes tell just such stories about a similar person whom they also call "white man." Tribes of Dakota stock tell of a similar person whom they call "the spider.".