“She won’t be expecting you, just yet,” she explained. “We might have a little walk.” “It wasn’t so incongruous at the time,” he answered. “My father had sent me out to America to superintend a contract. It was the first time I had ever been away from home, though I was nearly thirty; and all my pent-up youth rushed out of me at once. It was a harum-scarum fellow, mad with the joy of life, that made love to her; not the man who went out, nor the man who came back. It was at San Francisco that I met her. She was touring the Western States; and I let everything go to the wind and followed her. It seemed to me that Heaven had opened up to me. I fought a duel in Colorado with a man who had insulted her. The law didn’t run there in those days; and three of his hired gunmen, as they called them, held us up that night in the train and gave her the alternative of going back with them and kissing him or seeing me dead at her feet. I didn’t give her time to answer, nor for them to finish. It seemed a fine death anyhow, that. And I’d have faced Hell itself for the chance of fighting for her. Though she told me afterwards that if I’d died she’d have gone back with them, and killed him.”!

Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. They would not let less loving hands come near her.

The wounded men had heard it also. Dubos had moved forward. Madame Lelanne had risen. It came again, the thin, faint shrill of a distant bugle. Footsteps were descending the stairs. French soldiers, laughing, shouting, were crowding round them. Joan considered. “Yes,” she answered. “I should say he’s just the man to manage her.” “I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.”