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"My dear fellow, let well alone," says Nicholas, with his slow, peculiar smile. "It was I induced Mona to dance with 'that fellow,' as you call him. Forgive me this injury, if indeed you count it one." "Nay, you can say all that on your way back, an' get a half-shot into the bargain," says old Scully, heartily. "You'll hardly beat the potheen I can give ye." He winks knowingly, pats Rodney kindly on the shoulder, and leads the way out of the house. Yet I think Geoffrey would willingly have bartered potheen, partridge, and a good deal more, for just one last glance at Mona's beautiful face before parting. Cheered, however, by the prospect that he may see her before night falls, he follows the farmer into the open air. Geoffrey, too, raises his head and smiles, in sympathy with his wife's burst of merriment, as does Miss Darling, who stops her conversation with Sir Nicholas to listen to it..

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"You are wrong," says Mona, coldly. "They seldom trouble themselves to speak of you at all." This is crueller than she knows. "In Sydney. In Paul Rodney's employ. In his very house." "Come home," says Mona, faintly. Now the actual danger is past, terror creeps over her, rendering her a prey to imaginary sights and sounds. "There may be others. Do not delay." "I must go now. Good-night," says Mona, kindly if coldly. He escorts her to the door of the conservatory There Lauderdale, who is talking with some men, comes forward and offers her his arm to take her to the carriage. And then adieux are said, and the duke accompanies her downstairs, whilst Lady Rodney contents herself with one of her sons..