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“Now, Moses, look sharp. Quit yer foolin’ an’ git busy,” called Mrs. Wopp, to the son and heir, whose toilet was not even begun. She herself was busy braiding Betty’s fair hair. “Be sure to warsh yer neck an’ ears. Larst party we was to, Mis’ Williams says to me, she says, ‘Is that your Moses settin’ on that bench? La me! he seems darker complected than I ever seed him before. I thort he were some Arfrican,’ she says. I hev always been a godly woman, Moses, ef I do go to a dance now an’ agin. Anyhow, the good book says there is a time to dance, but it aint got no patience with dirt. Git yerself cleaned up, then go an’ hook up the team.”,

All were silent for a little. Most of them had been more than once to San Francisco’s celebrated dealer in sweets.,

“I must of looked like that Lize or the picter couldn’t of been took.” Ruefully he rubbed his bald crown.,

He winced with pain, reeled, and would have fallen but for the other’s sustaining hand.

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When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line.,

The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous.,

“Come with me, Billy; I must wash up. I’ve had a dusty drive up Spring Mountain; you know the roads aren’t watered up there.”,

St. Elmo clapped his tiny hands and asked for “Moah,” while Norah Bliggins, who had been almost petrified when she heard the voice of Mrs. Wopp, sat hoping no one would ask her for the golden text. She was devoutly thankful that she could get up from her cramped position. A wide lath in the upturned box which served as her seat had broken and she had sunk deeper and deeper until her chubby chin and knees were in close proximity. It required the united efforts of Maria and Betty to extricate the unfortunate child. The doll was safe, however, and with fortitude worthy of emulation still smiled although sawdust again trickled from her re-opened wound. Henry started up a lusty crowing and Moses began to whistle while Betty uncovered the windows and made other preparations for leaving the loft. Several of her pictures had been spoiled by the rain and the box reduced to a soft pulpy mass.