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“Moses! Betty! Time fer school!” called Mrs. Wopp. Betty, satisfied that after Moses’ frenzied ministrations she was quite presentable, hastened into the house. Moses fled into the yard where he became very active splitting wood, his guilty conscience adding efficiency to his arm. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. “We left him by the creek, Ma, playing in the sand,” was the reply. “When Betty and me tried to make him come in he slapped us.”.
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Conrad
The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence. When the program was over Moses noticed enviously that Betty was so close to the orchestra that her ear was almost in the trombone. All heads bowed as the compliant master of the house, with thin nervous hands outspread and in a voice quavering with piety, responded to this request. Moses of the freckled face and pale blue eyes, kept one eye open as grace was being said, in order to scan the bounteous display on the table. Furtively he chose the largest bun on the plate that was placed close to Betty, his little foster-sister. To annex the most corpulent pickle would require some slight manœuvring, but he felt sure it could be managed. She stooped and kissed him..
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