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"Besides, I do not understand what you mean," says Geoffrey, still regarding his mother with angry eyes "Why connect Mona's absence with Paul Rodney?" "You ask me no questions about last night," he says, suddenly; "and there is something I must say to you. Get rid of that fellow Ridgway, the under-gardener. It was he opened the library window for me. He is untrustworthy, and too fond of filthy lucre ever to come to good. I bribed him." "I want you to leave Ireland—not next month, or next week, but at once. To-morrow, if possible.".
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Conrad
"Who on earth are you speaking to?" says Geoffrey. "My dear mother," says Geoffrey, coming back to the firelight, "what you would insinuate is too ridiculous to be taken any notice of." Every particle of his former passion has died from his voice, and he is now quite calm, nay cheerful. "Some of his ideas are lovely. You would like his poetry, I think." It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——.
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