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Then Moses commenced. He ran up and down a chromatic scale of puffs and groans and sniffles, ending with a cadence that sounded like, “Gosh dern!”,

“I wonder who’ll buy this here quilt,” speculated Mrs. Wopp, as she bent over her task, “there’s shorely a great sight o’ work on it. As fer me, I aint got time to do much fancy work an’ I’d never git round to a job like this fer myself.”,

What delightfully busy and secret evenings Betty spent in the kitchen with Mrs. Wopp helping and expostulating! What dismal sighs from Moses who, like the Marchioness, cooled his eye at the keyhole! His sighs penetrated through the said keyhole and almost softened the obdurate Betty; but, alas, his eavesdropping ended only in whetting the edge of his curiosity! What yelps from Jethro when Moses trod on his foot in headlong flight from the door as his mother approached! What copious notes written by Ebenezer Wopp on the whispering and conspiracies in the kitchen! And then again what sweeping up and burning of cardboard, what hunting through old newspapers and magazines, and what clicking of scissors while a small pair of jaws worked simultaneously! What gorgeous hues from the paint-box as Betty mixed her colors and painted innumerable pictures cut from the magazines! Animals, birds, flowers! Gay as color could make them! A veritable garden and zoo turned loose in the kitchen!,

Picking up a second paper at random, “This is a composition on Alfred the Great,” he explained.

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“Yeh, we went to the shootin’ gallery, an’ the amuseum, an’ got inter a little square cage an’ shot away up to the top of an orful high buildin’ an’ got a sparrer’s eye view of the city.”,

“Moses, yer manners is shockin’, did you expect to be sarved the best piece when company’s here?”,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.,

There they all were; those who had come first to the house, and many others: Jean, Bess Carter, Charley Strong, Max Krieber, Jackson Carter, the little colored boy, standing aloof, and others, large and small. All in a line they stood, and shouted up at him: