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“But she’s a girl.” “None too strong. But she’s picking up since the doctor gave her a tonic,” was the reply. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear..

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“That boy’ll sartinly spill the tea,” prophecied Mrs. Wopp, with laughing pessimism. Clarence had crossed the Pons Asinorum; a series of intoxicated circles, with sharp-cornered triangles piercing their fat sides, bore eloquent testimony to his faltering steps. Rain dropped her gray mantle behind a tree, and reappeared with her chalice of diamond-dust dew, to touch the fairy chorus to shimmering beauty. The gnomes, their queer masks and hunched shoulders showing grotesquely under their gray garb, joined the fairies’ dance. Wind came floating in as Summer Breeze. Storm was transformed to the Slave of the Sower; while Black Frost was perched high up at the rear, grinning from the top of the mountain. All went well for some blocks. There was a flattering audience at each front door; a few honored the pageant by following. These were mostly mothers of the younger children, who knew the possibilities of such an aggregation of animals and boys..