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A terrace runs all along one side of the house, which is exposed to view from the avenue. And here, with a gaunt but handsome greyhound beside her, stands a girl tall and slim, yet beautifully moulded. Her eyes are gray, yet might at certain moments be termed blue. Her mouth is large, but not unpleasing. Her hair is quite dark, and drawn back into a loose and artistic coil behind. She is clad in an impossible gown of sage green, that clings closely to her slight figure, nay, almost desperately, as though afraid to lose her. "Not until you tell me what made you cry." CHAPTER XVII..

"Shall we set out now?" says Mona; and she calls "Mickey, Mickey," at the top of her strong young lungs.I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was There is a ghostly tapping (as of some departed spirit who would fain enter once again into the old halls so long forgotten) against the window pane. Doubtless it is some waving branch flung hither and thither by the cruel tempest that rages without. Shadows come and go; and eerie thoughts oppress the breast:—

With Lady Rodney she will, I think, be always the favorite daughter. She is quite her right hand now. She can hardly get on without her, and tells herself her blankest days are those when Mona and Geoffrey return to their own home, and the Towers no longer echoes to the musical laugh of old Brian Scully's niece, or to the light footfall of her pretty feet. Violet and Dorothy will no doubt be dear; but Mona, having won it against much odds, will ever hold first place in her affections. "Last night you called me Paul. Do you remember? Call me it again, for the last time," he entreats, in a low tone. "I shall never forget what I felt then. If ever in the future you hear good of me, believe it was through you it sprung to life. Till my dying day your image will remain with me. Say now, 'Good-by, Paul,' before I go." It is a triumph, if Mona only knew it, but she is full of sad reflections, and is just now wrapped up in mournful thoughts of Nicholas and little Dorothy. Misfortune seems flying towards them on strong swift wings. Can nothing stay its approach, or beat it back in time to effect a rescue? If they fail to find the nephew of the old woman Elspeth in Sydney, whither he is supposed to have gone, or if, on finding him they fail to elicit any information from him on the subject of the lost will, affairs may be counted almost hopeless. As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure..