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"Now, sir speak," she says, at length in rather tremulous tones growing fearful of the lengthened silence. There is a dangerous vibration in the arm that Geoffrey has round her, that gives her warning to make some change in the scene as soon as possible. Over the meadows and into the wood goes Mona, to where a streamlet runs, that is her special joy,—being of the garrulous and babbling order, which is, perhaps, the nearest approach to divine music that nature can make. But to-day the stream is swollen, is enlarged beyond all recognition, and, being filled with pride at its own promotion, has forgotten its little loving song, and is rushing onward with a passionate roar to the ocean. "Now, this is kind,—very kind," says the little man, approvingly, shaking both their hands. "And so soon, too; no time lost. Poor soul! he is calling incessantly for you, my dear Mrs. Geoffrey. It is a sad case,—very—very. Away from every one he knows. But come in; come in.".
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kez_ h (Kez_h)
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Conrad
At last, as she grows weary for wishing for it,— He is not sure of anything of the kind, but he says it nevertheless, feeling he owes so much to Violet, as the conversation has drifted towards her, and he feels she is placed—though unknown to herself—in a false position. "Poor Mona!" says Geoffrey; "don't tell her about it, as remorse may sadden her." You have heard the Thunder, for he is everywhere. He roars in the mountains, and far out on the prairie is heard his crashing. He strikes the high rocks, and they fall to pieces; a tree, and it is broken in slivers; the people, and they die. He is bad. He does not like the high cliff, the standing tree, or living man. He likes to strike and crush them to the ground. Of all things he is the most powerful. He cannot be resisted. But I have not told you the worst thing about him. Sometimes he takes away women..
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