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"I am spinning flax for Betty, because she has rheumatism in her poor shoulder, and can do nothing, and this much flax must be finished by a certain time. I have nearly got through my portion now," says Mona; "and then we can go home." "What horse are you taking?" asks she, holding him. "Well, it was in a theatre I heard it," confesses Mona, meekly: "it was a great lord who said it on the stage, so I thought it would be all right.".
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Conrad
Mona accepts this excuse for bygone injustice, and even encourages her mother-in-law to enlarge upon it,—seeing how comfortable it is to her so to do,—and furthermore tries hard in her own kind heart to believe in it also. "Mona," says Nicholas, roughly, laying his hand on her shoulder, and shaking her slightly, "I forbid you talking like that. It is nobody's fault. It is the will of God. It is morbid and sinful of you to let such a thought enter your head." "I feel no pain," returns he, gallantly. "Mona," says Rodney, divining her intent, "stay you here while I go and expostulate with these men. It is late, darling, and their blood is up, and they may not listen to you. Let me speak to them.".
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