Joan stopped and turned. “Did he send you?” she asked. “I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.”!

“You will be honest with me, won’t you?” pleaded Flossie, “because it’s so important, and I don’t seem able to think for myself. As they say, no man can be his own solicitor, can he? Of course I like him, and all that—very much. And I really believe he loves me. We were children together when Mummy was alive; and then he had to go abroad; and has only just come back. Of course, I’ve got to think of him, too, as he says. But then, on the other hand, I don’t want to make a mistake. That would be so terrible, for both of us; and of course I am clever; and there was poor Mummy and Daddy. I’ll tell you all about them one day. It was so awfully sad. Get him into a corner and talk to him. You’ll be able to judge in a moment, you’re so wonderful. He’s quiet on the outside, but I think there’s depth in him. We must go in now.” “Oh yes there is,” said Madge. “Love has lent him gilded armour. From his helmet waves her crest,” she quoted. “Most men look fine in that costume. Pity they can’t always wear it.”

“I shall try to win you over, I warn you,” he said. “Politics will never reform the world. They appeal only to men’s passions and hatreds. They divide us. It is Art that is going to civilize mankind; broaden his sympathies. Art speaks to him the common language of his loves, his dreams, reveals to him the universal kinship.” “Well, you see, dear,” explained the little old lady, “he gave up things. He could have ridden in his carriage”—she was quoting, it seemed, the words of the Carlyles’ old servant—“if he’d written the sort of lies that people pay for being told, instead of throwing the truth at their head.” “Hanged if I can see how we are going to get out of it,” he answered Joan cheerfully. “The moment there is any threat of war, it becomes a point of honour with every nation to do nothing to avoid it. I remember my old duelling days. The quarrel may have been about the silliest trifle imaginable. A single word would have explained the whole thing away. But to utter it would have stamped one as a coward. This Egyptian Tra-la-la! It isn’t worth the bones of a single grenadier, as our friends across the Rhine would say. But I expect, before it’s settled, there will be men’s bones sufficient, bleaching on the desert, to build another Pyramid. It’s so easily started: that’s the devil of it. A mischievous boy can throw a lighted match into a powder magazine, and then it becomes every patriot’s business to see that it isn’t put out. I hate war. It accomplishes nothing, and leaves everything in a greater muddle than it was before. But if the idea ever catches fire, I shall have to do all I can to fan the conflagration. Unless I am prepared to be branded as a poltroon. Every professional soldier is supposed to welcome war. Most of us do: it’s our opportunity. There’s some excuse for us. But these men—Carleton and their lot: I regard them as nothing better than the Ménades of the Commune. They care nothing if the whole of Europe blazes. They cannot personally get harmed whatever happens. It’s fun to them.”