"Please let me out, Mr. Gereth," she said; on which he opened the door with an hesitation so very brief that in thinking of these things afterwards—for she was to think of them forever—she wondered in what tone she could have spoken. They went into the hall, where she encountered the parlor-maid, of whom she inquired whether Mrs. Gereth had come in. Owen's face, at this, showed a reviving dread, the fear of some darksome process of her mind. "If you speak for yourself I can understand, but why is it hideous for me?"!

"There's the chance, of course, that she may be afraid." CHAPTER II

The instant after her challenge Fleda had faced him again in self-reproof. "There isn't a thing to be said against you, and I don't know what nonsense you make me talk! You have pleased me, and you've been right and good, and it's the only comfort, and you must go. Everything must come from Mona, and if it doesn't come we've said entirely too much. You must leave me alone—forever." Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches. Fleda, at this, felt that her heroism had come to its real test—felt that in telling him the truth she should effectively raise a hand to push his impediment out of the way. Was the knowledge that such a motion would probably dispose forever of Mona capable of yielding to the conception of still giving her every chance she was entitled to? That conception was heroic, but at the same moment it reminded Fleda of the place it had held in her plan, she was also reminded of the not less urgent claim of the truth. Ah, the truth—there was a limit to the impunity with which one could juggle with it! Wasn't what she had most to remember the fact that Owen had a right to his property and that he had also her vow to stand by him in the effort to recover it? How did she stand by him if she hid from him the single way to recover it of which she was quite sure? For an instant that seemed to her the fullest of her life she debated. "Yes," she said at last, "if your marriage is really abandoned, she will give up everything she has taken."