“He might win through,” mused Greyson. “He’s the man to do it, if anybody could. But the odds will be against him.” “I would like to go back,” she said.!

He glanced at the clock. “I’ll give you five minutes,” he said. “Interview me.” “One can never be sure of a woman,” he answered. “And it would have been so difficult. There was a girl down in Scotland, one of the village girls. It wasn’t anything really. We had just been children together. But they all thought I had gone away to make my fortune so as to come back and marry her—even my mother. It would have looked so mean if after getting on I had married a fine London lady. I could never have gone home again.”

“But the people who can get harmed,” argued Joan. “The men who will be dragged away from their work, from their business, used as ‘cannon fodder.’” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. She never quite remembered what the talk was about. Men were brought up and presented to her, and hung about her words, and sought to please her. She had spoken her own thoughts, indifferent whether they expressed agreement or not; and the argument had invariably taken another plane. It seemed so important that she should be convinced. Some had succeeded, and had been strengthened. Others had failed, and had departed sorrowful, conscious of the necessity of “thinking it out again.”