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Elinor's soft laugh rippled out. "It's clear that you haven't tried to do it, or you'd see how easy it is to make caricatures instead of portraits," she said. "I didn't think they were so very bad." "'Disgrace!'" she repeated hotly. "Why, do you know, Elinor Kendall, that they're all saying already that you're a wonder?" Then with a swift change, she broke into a giggle. "Wait till you lay eyes on my contribution to the modeling competition. You'll have the treat of your young life then!" "Where do you live?" was the next question, to which Elinor again replied good-naturedly..
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Elinor slipped an arm about her. "But what is it, Ju dear?" "I guess you won't have to chloroform us to drag us there this time," she retorted. "I'm glad we're presentable, anyway. Aren't you thankful I made you put on your best duds, Norn? There's nothing like being contented when one feeds, and I couldn't partake of the stalled ox with any satisfaction in my old school rags." A tall dark-haired youth in a gray suit and overcoat, who had been standing with his back to them a short distance away, turned and showed a pleasant, homely face with two very lively eyes and a wide, firm mouth. A heavy-shouldered dark man, whose workmanlike appearance was heightened by the torn and spotted linen apron he wore, came quietly over to Patricia, and, taking the wire from Miss Griffin's thin, nervous hands, silently and swiftly finished the work she had begun, while she, with a nod of acquiescence, went to her own stand and began to thump lumps of clay into shape about her own iron head-piece..
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