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"But you said if the buffalo would only jump over, you would marry one of them. Look, the piskun is full.",

Hame, hame to my ain countrie,,

"Did he?" says Mona. "Geoffrey gave me these pearls," pointing to a pretty string round her own white neck, "a month after we were married. It seems quite a long time ago now," with a sigh and a little smile. "But your opals are perfect. Just like the moonlight. By the by," as if it has suddenly occurred to her, "did you ever see the lake by moonlight? I mean from the mullioned window in the north gallery?",

Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of

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"Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

The door of the room she is approaching is wide open, and inside, as Mona draws nearer, it becomes apparent that some one is talking very loudly, and with much emphasis, and as though determined not to be silenced. Argument is plainly the order of the hour.,

He groans within him that he cannot think of any speech bordering on the Grandisonian, that may be politely addressed to this sylvan nymph; but all such speeches fail him. Who can she be? Were ever eyes so liquid before, or lips so full of feeling?