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After a few minutes he came out. He approached the cabin table and stood close. His face wore a mingled look of astonishment and fear, and he was very pale. He was as grotesque as something fanciful in a fairy story, with his red hair, hump, long arms, rounded legs, and whilst he stood he scratched himself as a monkey does. His chin was enormous, and out of all proportion to his face. He set the jug down, and from his bosom drew forth a tin whistle. For a minute or two he played softly, his eyes on Caleb's. Then, gradually, his eyes closed and a rapt expression settled upon his grimy face as he led his listener down strange by-paths of fancy. Maurice shook his head. "None of our gang 'ud take it," he said. "Likely some of them Sand-sharks.".

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Great mosquitoes whined about his head and stung his neck and ears. Mottled flies bit him and left a burning smart. The saw-like edges of the grass cut his hands and strove to trip him as he pushed his improvised raft forward. Once his foot slipped on the greasy bog, and the quicksands all but claimed him. But he pushed on, reaching at last the black sullen shallows, putrid and ill-smelling with decayed growth, and alive with hideous insects. This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation. We have seen that the frame which bounded Mr Greyquill's portrait of honour was large. Most men recognising the handwriting would have denied themselves the right of reading this letter, because they had found it lying in[Pg 139] a public roadway, for two reasons: the handwriting was known to them, and the recent presence of the writer where that letter was found would have identified it as its owner's business in no wise to be intruded on by a man of honour. "Oh Jerusalem!" groaned the terrified Fatty, "It's the ghost! Look, it's sheddin' blue grave-mist! Fer the love of Mike let's git out'a this!".