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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. Anson looked troubled. "Supposin' I don't know—" he began, but Billy shook his head. He came from the kitchen garden and was standing in the middle of the lawn, where he obtained a view of the sea betwixt the bluff on which stood the windmill and the other bluff on which stood the lighthouse. He sent his gaze in the direction of Old Harbour. It was a heedless gaze. He took no particular note. Alongside the wharves a number of small vessels were moored. They somewhat crowded the eye with their rigging and spars. The brig-of-war lay in her accustomed place off the pier. Apparently it was not Lieutenant Tupman's intention to put to sea that day. Captain Acton, deeply affected by his friend's distress, concealed his face by turning his head. Mr Fellowes, who had grasped Mr Lawrence's wrist, cried out: "I feel a thread of pulse. He is not dead. I'll away for our medico, and shall be back with him in a jiffey.".