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A doubtful good, a gloss, a glass, a flower, "She is not brainless; she was only frightened. It certainly was an ordeal coming to a house for the first time to be, in effect, stared at. And she is very young." "You are not well, are you, Mrs. Geoffrey?" he says, sympathetically, getting up from his own chair to lean tenderly over the back of hers. Nolly is nothing if not affectionate, where women are concerned. It gives him no thought or trouble to be attentive to them, as in his soul he loves them all,—in the abstract,—from the dairymaid to the duchess, always provided they are pretty..
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When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good. "I will help you. Bring only a knife." "I have read so few," she says, wistfully, and with hesitation. Then, shyly, "I have so few to read. I have a Longfellow, and a Shakspeare, and a Byron: that is all." "But at the same time I must ask you to remember you are speaking of my wife.".
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