It was not until well on her way home that Joan, recalling the conversation, found herself smiling at Mary Stopperton’s literal acceptation of the argument. At the time, she remembered, the shadow of a fear had passed over her. The second was a clumsy-looking, overdressed woman whom Miss Lavery introduced as “Mrs. Phillips, a very dear friend of mine, who is going to be helpful to us all,” adding in a hurried aside to Madge, “I simply had to bring her. Will explain to you another time.” An apology certainly seemed to be needed. The woman was absurdly out of her place. She stood there panting and slightly perspiring. She was short and fat, with dyed hair. As a girl she had possibly been pretty in a dimpled, giggling sort of way. Joan judged her, in spite of her complexion, to be about forty.!

“But you haven’t married her—or have you?” asked Joan. He nodded. “I thought you were an artist,” he said. “Don’t let them ever take your drum away from you. You’ll go to pieces and get into mischief without it.”

“It ought to be included in every woman’s education,” Madge continued. “It is reserved for spinsters of over forty-five. Susan Fleming wrote an article upon it for the Teacher’s Friend; and spent an afternoon and evening there. A month later she married a grocer with five children. The only sound suggestion for avoiding trouble that I ever came across was in a burlesque of the Blue Bird. You remember the scene where the spirits of the children are waiting to go down to earth and be made into babies? Someone had stuck up a notice at the entrance to the gangway: ‘Don’t get born. It only means worry.’” “And so you married her and took her drum away from her,” said Joan. “Oh, the thing God gives to some of us,” she explained, “to make a little noise with, and set the people marching.” Firstly there was the great event of going to school. She was glad to get away from home, a massive, stiffly furnished house in a wealthy suburb of Liverpool. Her mother, since she could remember, had been an invalid, rarely leaving her bedroom till the afternoon. Her father, the owner of large engineering works, she only saw, as a rule, at dinner-time, when she would come down to dessert. It had been different when she was very young, before her mother had been taken ill. Then she had been more with them both. She had dim recollections of her father playing with her, pretending to be a bear and growling at her from behind the sofa. And then he would seize and hug her and they would both laugh, while he tossed her into the air and caught her. He had looked so big and handsome. All through her childhood there had been the desire to recreate those days, to spring into the air and catch her arms about his neck. She could have loved him dearly if he had only let her. Once, seeking explanation, she had opened her heart a little to Mrs. Munday. It was disappointment, Mrs. Munday thought, that she had not been a boy; and with that Joan had to content herself. Maybe also her mother’s illness had helped to sadden him. Or perhaps it was mere temperament, as she argued to herself later, for which they were both responsible. Those little tricks of coaxing, of tenderness, of wilfulness, by means of which other girls wriggled their way so successfully into a warm nest of cosy affection: she had never been able to employ them. Beneath her self-confidence was a shyness, an immovable reserve that had always prevented her from expressing her emotions. She had inherited it, doubtless enough, from him. Perhaps one day, between them, they would break down the barrier, the strength of which seemed to lie in its very flimsiness, its impalpability.