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"It was one of Nolly's good things," he says, genially. "And you know what he is capable of when he likes! It was funny to the last degree,—calculated to set any 'table in a roar.'—Give it to us again, Nolly—it bears repeating.—Ask him to tell it to you, Violet.",

"Look here," says Mr. Darling, "just try one of these, do. They are South American cigarettes, and nearly as strong as the real thing, and quite better: they are a new brand. Try 'em; they'll quite set you up.",

"She is that. More than I can say. An' keeps things together, too. She is clever like her father, an' he was on the fair way to make a fortune. Ay, I always say it, law is the thing that pays in Ireland. A good sound fight sets them up. But I'm keeping you, sir, and your gun is waitin' for ye. If you haven't had enough of me company by this," with another jolly laugh, "I'll take ye down to a field hard by, an' show ye where I saw a fine young covey only yesternight.",

"So should I," says Rodney, eagerly, but incorrectly; "at least, not myself, but you,—in something handsome, you know, open at the neck, and with your pretty arms bare, as they were the first day I saw you."

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Several nights had passed since the signs warned him to turn back, but notwithstanding the warnings, he had succeeded. Perhaps his success had made him too confident. He longed for more of it. "One more scalp I shall take," he said, "and then I will return to the people.",

"You are an artiste," says Geoffrey, with a deep sigh when she has finished. "Who taught you, child? But there is no use in such a question. Nobody could teach it to you: you must feel it as you sing. And yet you are scarcely to be envied. Your singing has betrayed to me one thing: if ever you suffer any great trouble it will kill you.",

"Do you know all you ask? By relinquishing this iniquitous deed I give up all hope of ever gaining this place,—this old house that even to me seems priceless. You demand much. Yet on one condition it shall be yours.",

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.