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Even as Geoffrey is looking at her, full of tender thought, one of the dogs, as though divining the fact that she is being left somewhat alone, lays its big head upon her shoulder, and looks at her with large loving eyes. Turning to him in response, she rubs her soft cheek slowly up and down against his. Geoffrey with all his heart envies the dog. How she seems to love it! how it seems to love her! "Then you are really pleased? I am just what you want me to be? Oh! how you frightened me!" says the girl, laying her hand upon her heart with a pretty gesture of relief. He might have invoked Jack Robinson a score of times had he so wished, he might even have gone for a very respectable walk, before his eyes are again gladdened by a sight of Mona. Minutes had given place to minutes many times, when, at length, a figure wrapped in a long cloak and with a light woollen shawl covering her head comes quickly towards him across the rustic bridge, and under the leafless trees to where he is standing..

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"Liar!" says Geoffrey between his teeth, his eyes fixed with deadly hatred upon his cousin. "Liar—and thief!" He goes a few steps nearer him, and then waits. "Mona, can you manage to get home by some short way by yourself? Because I must return. I must stand by this man they are going to murder. I must indeed, darling. Forgive me that I desert you here and at such an hour, but I see you are safe in the country, and five minutes will take you to the farm, and I cannot let his life be taken without striking a blow for him." "Will that take her long?" asks Mona, somewhat wistfully, feeling, without understanding, some want in his voice. Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.".