“Land o’ Goshen, child,” shrieked Mrs. Wopp throwing up her hands in dismay, “whatever hev you been doin’ to yerself. You look jist like a wooden Injin. I wouldn’t of knowed you ef I’d met you in the streets of Judear.”,
While Betty, mounted on a bench in the shed, was getting down her watering-can, Job, who during the afternoon had searched diligently but vainly for her, rounded the corner of the garden fence. He noted the open gate and sped towards it. As he entered the garden his eye fell on St. Elmo who stood absorbed and expectant. The turkey, his odd corner-wise gait accentuated by his anxiety of mind, rushed towards the child who at first did not notice his approach. But presently, turning around, St. Elmo beheld an apparently formidable assailant which by the most powerful flight of imagination could not be mistaken for a fairy. All escape by way of the gate was shut off by the intruder. St. Elmo’s plump legs, bare above his low socks, twinkled as he ran wildly towards the foot of the garden.,
Moses began cutting make-believe tickets using the paper and scissors thrust into his hand by the capable manageress of the show.,
Mr. Wells the clergyman was of English birth, very conservative and inclined to be shy. He was unusually tall with broad shoulders. Mrs. Wopp once said of him, “When Mr. Wells gits his gownd on, he’s the hull lan’scape.” The deeply pious lady seldom criticized things ecclesiastical; but she had “feelin’s that ef Ebenezer Wopp bed of took to larnin’ like his Mar wished, he’d of looked amazin’ well in that pulpit, better nor Mr. Wells.”
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“Never mind yer notes, Ebenezer, jist you sarve the pork.”,
At this moment the dining-room door opened and the daughter of the house entered the room.,
“Can he mean ‘prodigy,’ do you think, May Nell?” Edith’s eyes were mischievous.,
“I suppose you have a large farm, Mr. Wopp,” said Nell Gordon.
“Well, Moses,” queried his genial host at the supper table, “did the skating go pretty good to-day?”
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As the door into the dining-room opened to the little guests, St. Elmo Mifsud’s eyes almost darted out of his head, for there on the centre of a bountifully-spread table stood an enormous chocolate cake with eleven candles burning on it. The revelation supplied a fitting climax for the epochal event of a thrilling picture show.
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In the house, meanwhile, affairs were proceeding quite as happily as those out of doors. The hostess fluctuated between the parlor and kitchen. She was preparing a repast not only for the workers present, but also for the men-folk who would presently arrive to take them to their respective homes. Excused from quilting, she nevertheless managed to spend considerable time with her guests. Mrs. Mifsud was a lady who aspired to literary attainments. She had read “Beulah,” “Vashti,” “Lucile,” “St. Elmo” and many other books of like calibre. She felt that her talents were practically wasted, living in what she termed a desert, yet she strove, when occasion offered, by elegance of deportment and conversation to enhance her gifts. She often spoke tenderly of the late Mr. Mifsud who, in spite of the fact that his face had been adorned with bristling side-whiskers of an undeniable red, had shown in other ways some signs of intelligence and feeling. He had been carried off by the shingles. According to Mrs. Mifsud’s account, her deeply-lamented spouse had considered the tall attenuated form of his wife “willowy,” her long thin black hair “a crown of glory,” her worn narrow countenance with its sharp nose and coal-black eyes, “seraphic.”
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>“This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”
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