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Kŭt-o-yĭs´ was glad to know that there was such a person, and he went to the mountains.,
Mona's waxen arms gleam like snow in the uncertain light. Each movement of hers is full of grace and verve. Her entire action is perfect.,
Kneeling down by her, Dorothy lays her head upon Mona's knee, and bursts out crying afresh.,
One hand is beneath her cheek,—that is soft and moist as a child's might be in innocent slumber,—the other is thrown above her head. She is exquisite in her abandon, but very pale, and her breath comes unevenly.
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"Why on earth," says Nolly, "can't they tell each other, what they have told the world long ago, that they adore each other? It is so jolly senseless, don't you know?",
When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,
"But do," goes on Violet, in her soft, even monotone, that is so exactly suited to her face. "It is rather pleasant thinking. Confession, you know, is so soothing; and then there are always the dear saints, with their delightful tales of roses and lilies, and tears that turn into drops of healing balm, and their bones that lie in little glass cases in the churches abroad. It is all so picturesque and pretty, like an Italian landscape. And it is so comfortable, too, to know that, no matter how naughty we may be here, we can still get to heaven at last by doing some great and charitable deed.",
"Oh, no!" shaking her lovely head emphatically, with a smile. "It's country dances I mean. Up the middle and down again, and all that," moving her hand in a soft undulating way as though keeping it in accord with some music that is ringing in her brain. Then, sweetly, "Did you ever dance a country dance?"
"Why could you not have stayed in Australia?" says Mona, with some excitement. "You are rich; your home is there; you have passed all your life up to this without a title, without the tender associations that cling round Nicholas and that will cost him almost his life to part with. You do not want them, yet you come here to break up our peace and make us all utterly wretched."
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He drops her arm, and looks as though he is prepared to drop her acquaintance also, at a moment's notice.
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clmro-Wong,
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"Impossible is a word only to be found in the dictionary of fools. You are not a fool. This is a mere fad of yours and I think you hardly know why you are insisting on it."
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"Would you like a fan, Nolly?" says Mona, with a laugh, yet really with a kindly view to rescuing him from his present dilemma. "Do you think you could find me mine? I fancy I left it in the morning-room."
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Halin-Chen Response,
>As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.
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