These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" The remark was disastrous. Mrs. Brigstock, on whom her brightness was lost, evidently thought it singularly free. She turned away, as from a presence that had really defined itself as objectionable, and Fleda had a vain sense that her good humor, in which there was an idea, was taken for impertinence, or at least for levity. Her allusion was improper, even if she herself wasn't; Mrs. Brigstock's emotion simplified: it came to the same thing. "I'm quite ready," that lady said to Owen rather mildly and woundedly. "I do want to speak to you very much."!

There was a high contempt in this which was for Owen quite as much, and in the light of which Fleda felt that her effort at plausibility had been mere groveling. She rose from the sofa with an humiliated sense of rising from ineffectual knees. That discomfort, however, lived but an instant: it was swept away in a rush of loyalty to the absent. She herself could bear his mother's scorn; but to avert it from his sweet innocence she broke out with a quickness that was like the raising of an arm. "Don't blame him—don't blame him: he'd do anything on earth for me! It was I," said Fleda, eagerly, "who sent him back to her; I made him go; I pushed him out of the house; I declined to have anything to say to him except on another footing." Fleda paid this statement the homage of a minute's muteness. "As to that, naturally, she has reason."

Fleda was mystified. "People surely knew at Poynton," she objected, "if, as you say, she's there." CHAPTER XVIII "His engagement to marry? Why, it's just that engagement we loathe!"