“You can’t do it,” she concluded, “unless you are prepared to keep half the world’s literature away from the children, scrap half your music, edit your museums and your picture galleries; bowdlerize your Old Testament and rewrite your histories. And then you’ll have to be careful for twenty-four hours a day that they never see a dog-fight.” “Did you ever see her again, after her marriage?” asked Joan.!

He laughed and put his arm round her. “Poor little woman,” he said. “You’re looking so tired. It was jolly at the end.” He kissed her. Mary had been clasping and unclasping her hands, a habit of hers when troubled. Could good ever come out of evil? That was her doubt. Did war ever do anything but sow the seeds of future violence; substitute one injustice for another; change wrong for wrong. Did it ever do anything but add to the world’s sum of evil, making God’s task the heavier?

“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. They did not talk as much as they had thought they would. He was not very helpful on the Carleton question. There was so much to be said both for and against. It might be better to wait and see how circumstances shaped themselves. She thought his speech excellent. It was difficult to discover any argument against it. “How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.”