"Then what do you make of his aversion to her?" Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches.!

Fleda had to declare that she certainly didn't, and that Waterbath had been a warning it would be frivolous to overlook. At the same time she privately reflected that they were taking a great deal for granted, and that, inasmuch as to her knowledge Owen Gereth had positively denied his betrothal, the ground of their speculations was by no means firm. It seemed to our young lady that in a difficult position Owen conducted himself with some natural art; treating this domesticated confidant of his mother's wrongs with a simple civility that almost troubled her conscience, so deeply she felt that she might have had for him the air of siding with that lady against him. She wondered if he would ever know how little really she did this, and that she was there, since Mrs. Gereth had insisted, not to betray, but essentially to confirm and protect. The fact that his mother disliked Mona Brigstock might have made him dislike the object of her preference, and it was detestable to Fleda to remember that she might have appeared to him to offer herself as an exemplary contrast. It was clear enough, however, that the happy youth had no more sense for a motive than a deaf man for a tune, a limitation by which, after all, she could gain as well as lose. He came and went very freely on the business with which London abundantly furnished him, but he found time more than once to say to her, "It's awfully nice of you to look after poor Mummy." As well as his quick speech, which shyness made obscure—it was usually as desperate as a "rush" at some violent game—his child's eyes in his man's face put it to her that, you know, this really meant a good deal for him and that he hoped she would stay on. With a person in the house who, like herself, was clever, poor Mummy was conveniently occupied; and Fleda found a beauty in the candor and even in the modesty which apparently kept him from suspecting that two such wiseheads could possibly be occupied with Owen Gereth. From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?"

Fleda hesitated. "Did you see her?" "You must settle that with her. You mustn't break faith. Anything is better than that. You must at any rate be utterly sure. She must love you—how can she help it? I wouldn't give you up!" said Fleda. She spoke in broken bits, panting out her words. "The great thing is to keep faith. Where is a man if he doesn't? If he doesn't he may be so cruel. So cruel, so cruel, so cruel!" Fleda repeated. "I couldn't have a hand in that, you know: that's my position—that's mine. You offered her marriage: it's a tremendous thing for her." Then looking at him another moment, "I wouldn't give you up!" she said again. He still had hold of her arm; she took in his blank alarm. With a quick dip of her face she reached his hand with her lips, pressing them to the back of it with a force that doubled the force of her words. "Never, never, never!" she cried; and before he could succeed in seizing her she had turned and, scrambling up the stairs, got away from him even faster than she had got away from him at Ricks. "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.