"I mean unless everything is different." "Then if you're thinking of Owen, how can you bear to think?"!

"Give everything back?" Fleda looked into the pot again and uttered her question with a briskness that she felt to be a little overdone. "Why, by putting the question well before you; by being so eloquent that I shall persuade you, shall act upon you; by making you sorry for having gone so far," she said boldly; "by simply and earnestly asking it of you, in short; and by reminding you at the same time that it's the first thing I ever have so asked. Oh, you've done things for me—endless and beautiful things," she exclaimed; "but you've done them all from your own generous impulse. I've never so much as hinted to you to lend me a postage-stamp." It was true that when after their return from Ricks they tried to lighten the ship, the great embarrassment was still immutably there, the odiousness of sacrificing the exquisite things one wouldn't take to the exquisite things one would. This immediately made the things one wouldn't take the very things one ought to, and, as Mrs. Gereth said, condemned one, in the whole business, to an eternal vicious circle. In such a circle, for days, she had been tormentedly moving, prowling up and down, comparing incomparables. It was for that one had to cling to them and their faces of supplication. Fleda herself could judge of these faces, so conscious of their race and their danger, and she had little enough to say when her companion asked her if the whole place, perversely fair on October afternoons, looked like a place to give up. It looked, to begin with, through some effect of season and light, larger than ever, immense, and it was filled with the hush of sorrow, which in turn was all charged with memories. Everything was in the air—every history of every find, every circumstance of every struggle. Mrs. Gereth had drawn back every curtain and removed every cover; she prolonged the vistas, opened wide the whole house, gave it an appearance of awaiting a royal visit. The shimmer of wrought substances spent itself in the brightness; the old golds and brasses, old ivories and bronzes, the fresh old tapestries and deep old damasks threw out a radiance in which the poor woman saw in solution all her old loves and patiences, all her old tricks and triumphs.

"Surely it's the only proper thing for him to do." "I must take it on trust," the girl pursued. "And what if Mona doesn't give you up?" she added. "I can't be sure, but it's my belief."