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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,
“Why, they know what you say—mind!” May Nell exclaimed, admiringly.,
“Ef you wish it, Ebenezer,” responded his spouse though still somewhat absorbed in the frustrated hopes of her relative, “jist wait till I drawr up the blinds.”,
“Billy, you’re a wise guy. This beats Maskey’s,” Harold declared.
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“Wisht that orful pitcher ’d fall inter the swill-pail an’ then turn a somerset in the soot-pile,” murmured the boy as he noticed the care exercised over its safety.,
“O Billy!” Jean gasped, fear for the little, delicate girl in that eery place lending sympathy to her voice.,
For a horror-stricken moment no one spoke. Even the dumb creatures were still; and Buzz, thinking it all for his benefit, watched open-mouthed for the next act in the play.,
All went well for some blocks. There was a flattering audience at each front door; a few honored the pageant by following. These were mostly mothers of the younger children, who knew the possibilities of such an aggregation of animals and boys.
As he climbed down, reaching from branch to branch, very cautiously, he knew not why, he was suddenly halted by the sound of low voices. Carefully he crept nearer. A tiny hut came in view, with an open door, and the glint of fire within. A man was standing outside, smoking a pipe, yet wearing hat, coat, and gloves, as if about to set off. He was very large. His clothes were new and showy, too bright in color, too large of check. His watch chain was massive; the big diamond out of place with his colored shirt; and the soft silk handkerchief he drew from his pocket was a brilliant red, and the largest Billy had ever seen. Another man, in the doorway, was smaller and bareheaded. His sleeves were rolled up, and his hands were stained.
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“As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm.
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On reaching the hay-loft all were seated with the least possible degree of discomfort on upturned soap-boxes and apple-boxes. Betty covered both windows with blankets and lit a lantern. She had constructed a pasteboard box with a large square opening and now set the lantern in such a way that a picture placed at the opening in the box was illuminated so that all could see it clearly. Betty showed her pictures in a well arranged order and her lively imagination supplied the connecting links in the story her lantern “slides” unfolded.
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>Betty reflected a moment. “When they got tired dancing they ’journed to the pansy bed. The queen set down on a big purple pansy that was jist like a lovely throne. The other fairies came an’ bowed low in front o’ her, then they gathered up their long silver trains an’ walked backwards. Then the queen rose up an’ walked all round among the flowers an’ the other fairies follered her. They waved their wands over all the flower beds, an’ that’s why they’ve all growed so lovely.”
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