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“Oh, Billy, Billy! My beautiful opera is ruined!” Edith wailed, as she heard the jeers of the small boys in the audience. Billy ran off full of vague expectation born of his mother’s smile. No one in all the country round, not even Harold Prettyman, whose father had the finest farm in Vine County, had such a splendid place to play as the Bennetts’ back lot that sloped down to Runa Creek. As Billy slammed the gate and bounded out on a huge boulder that hung over the creek, a sounding cheer greeted him from below. Visitors! He saw them through the window. Every step was growing more painful,—he must get to his room. The space from the woodshed roof to the tower room, before so easily surmounted by a swinging jump, looked now as high and far as Mount Whitney. Back to the window he turned. The firelight was dancing on the walls. Sister Edith was talking gayly to neighbors who were standing near the door, and May Nell was snuggled beside his mother on the couch, the great yellow cat, or a part of him, sprawling on her small lap..
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Conrad
“Shade of Beelzebub! Where did you spring from?” shouted the astonished man. Once Billy’s attention was fixed he was as earnest at work as at play. He slaughtered the weeds rapidly, and had several clean beds behind him when his mother called him to breakfast. THE silence was broken a little later by merry voices on the stairway. For several nights the girls had been gathering in May Nell’s room. Billy knew “things were doing” there by the sounds; the tap, tap of the tack hammer, added to much chatter and rustling. Now May Nell caught him by the hand and pulled him across the hall. A strange pungent fragrance like burning spice, yet not familiar, met them at the door. And inside, the dark hangings full of lurking shadows gave the room a foreign air. “Every tub must stan’ on its own bottom,” commented Mrs. Wopp. But even as she spoke, an unmistakable expression of gratified pride spread over her large motherly countenance..
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