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"Where do you get your music?" asks Geoffrey, idly, wondering how "London Bridge" has found its way to this isolated spot, as he thinks of the shops in the pretty village near, where Molloy and Adams, and their attendant sprite called Weatherley, are unknown. "I remember it; and I remember, too, who watched all that: do you?" he asks, his eyes fixed upon hers. "Dorothy," says a voice outside at this very instant, so exactly as Doatie pauses that both she and Nicholas start simultaneously..
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Any demonstration on her part just now may make a scene, and scenes are ever abhorrent. And might she not yet further widen the breach between mother and son by an ill-timed show of affection for the latter? "My mother is a real good sort when you know her," he says, evasively; "but she's rather rough on strangers. However, she is always all there, you know, so far as manners go, and that." "You have said too much already, and there sha'n't be an end of it, as you declared just now," protests Doatie, vehemently, who declines to be comforted just yet, and is perhaps finding some sorrowful enjoyment in the situation. "I'll take very good care there sha'n't! And I won't let you give me up. I don't care how poor you are. And I must say I think it is very rude and heartless of you, Nicholas, to want to hand me over to 'some other man,' as if I was a book or a parcel! 'Some other man,' indeed!" winds up Miss Darling, with a final sob and a heavy increase of righteous wrath. "A simple one.".
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