The doctor himself was a broad-shouldered, bullet-headed man, clean shaven, with close-cropped, bristly hair. He had curiously square hands, with short, squat fingers. He had been head surgeon in one of the Paris hospitals, and had been assigned his present post because of his marvellous quickness with the knife. The hospital was the nearest to a hill of great strategical importance, and the fighting in the neighbourhood was almost continuous. Often a single ambulance would bring in three or four cases, each one demanding instant attention. Dr. Poujoulet, with his hairy arms bare to the shoulder, would polish them off one after another, with hardly a moment’s rest between, not allowing time even for the washing of the table. Joan would have to summon all her nerve to keep herself from collapsing. At times the need for haste was such that it was impossible to wait for the anaesthetic to take effect. The one redeeming feature was the extraordinary heroism of the men, though occasionally there was nothing for it but to call in the orderlies to hold some poor fellow down, and to deafen one’s ears. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.!

Arthur had to be in London generally once or twice a month, and it came to be accepted that he should always call upon her and “take her out.” She had lost the self-sufficiency that had made roaming about London by herself a pleasurable adventure; and a newly-born fear of what people were saying and thinking about her made her shy even of the few friends she still clung to, so that his visits grew to be of the nature of childish treats to which she found herself looking forward—counting the days. Also, she came to be dependent upon him for the keeping alight within her of that little kindly fire of self-conceit at which we warm our hands in wintry days. It is not good that a young woman should remain for long a stranger to her mirror—above her frocks, indifferent to the angle of her hat. She had met the women superior to feminine vanities. Handsome enough, some of them must once have been; now sunk in slovenliness, uncleanliness, in disrespect to womanhood. It would not be fair to him. The worshipper has his rights. The goddess must remember always that she is a goddess—must pull herself together and behave as such, appearing upon her pedestal becomingly attired; seeing to it that in all things she is at her best; not allowing private grief to render her neglectful of this duty. “No, not His last,” said Joan: “‘Lo, I am with you always, even unto the end of the world.’ Love was Christ’s God. He will help us to find Him.”

The girl turned and went. Joan watched her as she descended the great staircase. She moved with a curious, gliding motion, pausing at times for the people to make way for her. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. Sometimes Mrs. Phillips, called away by domestic duty, would leave them; returning full of excuses just as they had succeeded in forgetting her. It was evident she was under the impression that her presence was useful to them, making it easier for them to open up their minds to one another.