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“He’s been pushin’ up the daisies fer thirty years, I ain’t goin’ to warble to please no tombstun.” Moses swung a ponderous foot to give emphasis to his decision. At this juncture there was a knock at the door. It was Howard Eliot who had called for Nell. “All right. I’m off!”.
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Conrad
Moses sat down to the task; but fearing his education was being interfered with, looked up from time to time and added a hoarse phrase to the general tumult. He caught Betty’s eye and significantly squinted his own right optic to remind her of Job, whereon Betty’s voice trailed off into a half-suppressed chuckle. Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor. “Y-yes, b-but how can I when I have no one to say ‘mama’ to, only a Mrs.” When the train snorted into the station the two were there, Billy with his loaf under his arm, his can dangling. Most of the arrivals were townsfolk home from visits to the stricken city; but a few, evidently strangers, descended and stood by themselves..
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