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"I do. Just now," looking at her, "I am perhaps as near enjoyment as I can be. But I have not danced before to-night. Nor should I have danced at all had you been engaged. I have forgotten what it is to be light-hearted." "She is not brainless; she was only frightened. It certainly was an ordeal coming to a house for the first time to be, in effect, stared at. And she is very young." "I know that," says Geoffrey, "and the knowledge makes me more happy than I can say. But to Rome you shall go, whatever it may cost. And then we shall return to England to our own home. And then—little rebel that you are—you must begin to look upon yourself as an English subject, and accept the queen as your gracious sovereign.".

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"Mona, are you still there?" he says, with a return to consciousness: "did I dream, or did my father speak to me? How the night comes on!" He sighs wearily. "I am so tired,—so worn out: if I could only sleep!" he murmurs, faintly. Mona starts, and regards him fixedly in a puzzled, uncertain manner. What he can possibly mean is unknown to her; but yet she is aware of some inward feeling, some instinct such as animals possess, that warns her to beware of him. She shrinks from him, and in doing so a slight fold of her dress catches in the handle of a writing-table, and detains her. "Now come and see my own room," says Mona, going up to Rodney, and, slipping her hand into his in a little trustful fashion that is one of her many, loving ways, she leads him along the hall to a door opposite the kitchen. This she opens, and with conscious pride draws him after her across its threshold. So holding him, she might at this moment have drawn him to the world's end,—wherever that may be! "Show Mr. Rodney in here, Bridget," says Mona unflinchingly, not looking at the distressed maid, or indeed at anything but the unobservant butter. And Bridget, with a sigh that strongly resembles the snort of a war-horse, ushers Mr. Rodney into the dairy..