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"Yes; that is Sir Nicholas's Doatie Darling," returns Mona, with a light laugh. And then Nolly leads her away, and, feeling more confident with him, she is once again dancing as gayly as the best. "You speak as one might who has no aim in life, says Mona, looking at him with sincere pity. When Mona looks piteous she is at her best. Her eyes grow large, her sweet lips tremulous, her whole face pathetic. The role suits her. Rodney's heart begins to beat with dangerous rapidity. It is quite on the cards that a man of his reckless, untrained, dare-devil disposition should fall madly in love with a woman sans peur et sans reproche. Mona is happier than words can say. She is up to her eyes in the business, that business sweetest to a woman's soul, the ordering and directing and general management of a trousseau. In her case she is doubly blessed, because she has the supervizing of two!.

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"But suppose she doesn't say a word about the drive?" says Mona, thoughtfully. "How will it be then?" "Very. But for myself I have no voice worth hearing. I sing, you know, a little, which is my misfortune, not my fault; don't you think so?" "You must give me another dance, Mrs. Rodney, before your card is quite full," says the duke, smiling. "If, indeed, I am yet in time." "Violet, play us something," says Geoffrey, who has quite entered into the spirit of the thing, and who doesn't mind his mothers "horrors" in the least, but remembers how sweet Mona used to look when going slowly and with that quaint solemn dignity of hers "through her steps.".