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"Why have you taken all this trouble about us?" says Lady Rodney, leaning forward to look at the girl anxiously, her voice low and trembling. "Oh, I don't know: that was a mere figure of speech," says Mr. Rodney, who is afraid to say such absences are caused by an innate love of freedom and a vile desire for liberty at any cost, and has nothing else handy. "Now don't stay moping up here when I go, but run downstairs and find the girls and make yourself happy with them." "But—" begins he, impatiently, trying gently to put her to one side..

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"Do ye mane to inform on us?" says Ryan, slowly, who is "a man of a villanous countenance," laying his hand impulsively upon his gun, and glancing at her and Rodney alternately with murder in his eyes. It is a critical moment. Rodney, putting out his hand, tries to draw her behind him. After that the little girl who was watching came into the lodge and said, "Pity me, man-eater, my mother is hungry and asks you for those bones." The old man gathered them together and handed them to her, and she took them out of the lodge. When she had gone a little way, she called all the dogs to her and threw down the bones to the dogs, crying out, "Look out, Kŭt-o-yĭs´, the dogs are eating you," and when she said that, Kŭt-o-yĭs´ arose from the pile of bones. "Such presumption, walking in our wood without permission," she says, haughtily. To travel here and there, from city to city and village to village, with Mona, would be a far happier arrangement. But underlying all else is a longing that the wife whom he adores and the mother whom he loves should be good friends..