These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "So have I things to say to you, Mrs. Brigstock!" Owen interjected. With this he took up his hat as if for an immediate departure.!

"It displeased her fearfully," said Owen, looking very queer. "Never. Besides, I'm happy," said Fleda.

"So as not to aggravate Mona, naturally. We've had a narrow course to steer, but thank God we're at last in the open!" "She's not, she's not: there's nothing in it! Doesn't a fellow know?—except with you!" Owen ruefully added. With this he came out of the room, lowering his voice to secret supplication, pleading with her really to meet him on the ground of the negation of Mona. It was this betrayal of his need of support and sanction that made her retreat—harden herself in the effort to save what might remain of all she had given, given probably for nothing. The very vision of him as he thus morally clung to her was the vision of a weakness somewhere in the core of his bloom, a blessed manly weakness of which, if she had only the valid right, it would be all a sweetness to take care. She faintly sickened, however, with the sense that there was as yet no valid right poor Owen could give. "You can take it from my honor, you know," he whispered, "that she loathes me." There was an oddity in his helplessness; he appeared to wish to persuade her and to satisfy himself that she sincerely felt how worthy he really was to treat what had happened as an injury. She could only exclaim, almost as helplessly as himself: "Of course you did justice! It's all most painful. I shall instantly let your mother know," she again declared, "the way I've spoken of her to you." She clung to that idea as to the sign of her straightness.