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Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. "Well, it was perfect: wasn't it, Violet?" "Oh, well, what's the odds?" says Nolly. "Whether she is French, or English, Irish or German, she has just the loveliest face I ever saw, and the sweetest ways. You've done an awfully dangerous thing. You will be Mrs. Rodney's husband in no time,—nothing else, and you positively won't know yourself in a year after. Individuality lost. Name gone. Nothing left but your four bones. You will be quite thankful for them, even, after a bit.".
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"And you really mustn't think us such very big people," says Geoffrey, in a deprecating tone, "because we are any thing but that, and, in fact,"—with a sharp contraction of his brow that betokens inward grief,—"there is rather a cloud over us just now." Hurriedly she gets into her furs, and, twisting some soft black lace around her throat, runs down the stairs, and, opening the hall door without seeing any one, makes her way towards the appointed spot. "Eh?" says Geoffrey. Yet Violet, with her pretty, slow, trainante voice and perfect manner, and small pale attractive face, and great eyes that seem too earnest for the fragile body to which they belong, is as naught before Mona, whose beauty is strong and undeniable, and whose charm lies as much in inward grace as in outward loveliness..
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