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And then she sings again, some old-world song of love and chivalry that awakes within one a quick longing for a worthier life. Her sweet voice rings through the room, now glad with triumph, now sad with a "lovely melancholy," as the words and music sway her. Her voice is clear and pure and full of pathos! She seems to follow no rule; an "f" here or a "p" there, on the page before her, she heeds not, but sings only as her heart dictates. "But surely until then Mona may lay claim to the title," says Violet, quickly. This thought seems to overwhelm her. She raises her hands to her head, and an expression of keenest anguish creeps into her eyes. She sways a little, and would have fallen, but that Jack Rodney, who is nearest to her at this moment, catches her in his arms..

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"And what has brought you?" demands she, not rudely or quickly, but as though desirous of obtaining information on a subject that puzzles her. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how—— "Then get a chair for yourself, at least, as you will not permit me to go to your aid," he entreats. "I am your prisoner,—perhaps," in a low tone, "the most willing captive that ever yet was made." "Geoffrey, will you take me to him?" says Mona, rousing herself..