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Max furnished the milk. “I haf gif mine cow much sugar to make dot milk sweet for Pilly to-day,” he explained happily to Mrs. Bennett. She was dressed in a simple velvet gown the color that the twilight sky takes just before the stars come out, sapphire blue. Her red pouting lips were curved in a caressing smile, and her eyes rimmed with their black curling lashes were full of the joy of life. Betty’s verdict, although punctuated by an interrogation point, had been correct when she first put the question to Moses, “Aint our new teacher lovely with her shinin’ blue eyes?” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..

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“Now who wants to ride the camel? Who wants to ride the swayin’ tossin’ ship of the desert?” Betty turned to her swarming audience; then to Moses she whispered as though she might be overheard, “You step forward an’ pay me two bits fer a ride.” Moses put a ticket into Betty’s hand and, not to be outdone in bravery, mounted the single-humped camel. Molly forgot her training in the sandy desert and lurched sadly. “Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.” Then scartter seeds of kindness But May Nell was not to be comforted, till that evening when she composed a wonderful ode to “The Wreck of the Fair Ellen.”.