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"Take me down," says Mona, wearily, turning to her lover, as the last faint ring of the horse's feet dies out on the breeze. To-morrow will be market-day in Bantry, to which the week's butter must go; and now the churning is over, and the result of it lies cold and rich and fresh beneath Mona's eyes. She herself is busily engaged printing little pats off a large roll of butter that rests on the slab before her; her sleeves are carefully tucked up, as on that first day when Geoffrey saw her; and in defiance of her own heart—which knows itself to be sad—she is lilting some little foolish lay, bright and shallow as the October sunshine that floods the room, lying in small silken patches on the walls and floor. Perhaps another reason for Mona's having found such favor in the eyes of "the biggest woman in our shire, sir," lies in the fact that she is in many ways so totally unlike all the other young women with whom the duchess is in the habit of associating. She is naive to an extraordinary degree, and says and does things that might appear outre in others, but are so much a part of Mona that it neither startles nor offends one when she gives way to them..

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"Tight,—screwed,—tipsy, you know," replies Mona, innocently. "Tight was the word they taught me. I think they believed it sounded more respectable than the others. And the Divinity boys were the worst. Shall I tell you about them?" "Mona, it has all been too much for you," exclaims he, with deep concern. The urn is hissing angrily, and breathing forth defiance with all his might. It is evidently possessed with the belief that the teapot has done it some mortal injury, and is waging on it war to the knife. "How pretty that is! Yet I should like you to see me, if only for once, as you have seen others," says Mona..