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"Perhaps you are tired of staying here," says Mona, with compunction, turning to Geoffrey, "and would like to go home? I suppose every one cannot love this spot as I do. Yes," rising, "I am selfish. Do come home." Mona, rising, pushes Violet gently into her own chair, a little black-and-gold wicker thing, gaudily cushioned. "Well, she did. I don't remember about that, you know. I was quite a little chap, and hustled out of sight if I said 'boo.' But of course she's got over all that, and is as jolly as a sand-boy now," says Geoffrey, gayly. (If only Lady Rodney could have heard him comparing her to a "sand-boy"!).

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"I have come," she says, simply, feeling herself growing pale, yet quite self-possessed, and strong in a determination not to offer him her hand. "I may as well talk while I can: soon you will not be able to hear me, when the grass is growing over me," replies he, recklessly. "It was hardly worth my while to deliver you up that will, was it? Is not Fate ironical? Now it is all as it was before I came upon the scene, and Nicholas has the title without dispute. I wish we had been better friends,—he at least was civil to me,—but I was reared with hatred in my heart towards all the Rodneys; I was taught to despise and fear them as my natural enemies, from my cradle." "Look at him, under that fern there!" exclaims Mona, in her clear treble, that has always something sweet and plaintive in it. "On your right—no! not on your left. Sure you know your right, don't you?" with a full, but unconscious, touch of scorn. "Hurry! hurry! or he will be gone again. Was there ever such a hateful bird! With his good food in the yard, and his warm house, and his mother crying for him! Ah! there you have him! No!—yes! no! He is gone again!" "Yes, you, and every other man," says Mona, smiling, and raising her loving eyes to her husband..