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“Well, well, you don’t say!” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “We must go right back,” Jimmy declared, turning to the door of the kitchen and thrusting a package within..

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He had left his traps,—the fight had sent all else flying out of his mind. No matter. He could set them in some vineyard. Already the short grass on the hills was brown, and many of the wild flowers were past their blooming. The rabbits would be seeking the tender green of the vines, the purpling alfalfa, standing lush and sweet, ready for mowing. “Whoa, Josh! Whoa, Jake!” he roared, apparently exerting himself to the utmost to hold in the skittish pair, but in reality giving a few practised touches on the reins which defeated his commands. The best amusement of the hours of imprisonment was planning for the performance of “The Lady of the Lake.” Nothing definite, except that it was to be out of doors, had unfolded till now, when irksome leisure and May Nell’s quick mind together bore fruit. Lastly came Moses’ turn to pay the admission fee, and with a shame-faced expression he dropped several silver coins into the box held in Betty’s hand. Her face was a study in feminine triumph as Moses mumbled, “I aint got no carrots, so here’s my pay to git in ter yer little ole show.”.